{"id":10246,"date":"2022-05-07T15:35:46","date_gmt":"2022-05-07T13:35:46","guid":{"rendered":"https:\/\/www.donat-mouthpiece.com\/?page_id=10246"},"modified":"2026-07-29T15:42:35","modified_gmt":"2026-07-29T13:42:35","slug":"we-play-together","status":"publish","type":"page","link":"https:\/\/www.donat-mouthpiece.com\/en\/we-play-together\/","title":{"rendered":"Donat \u2013 in music"},"content":{"rendered":"

[vc_row css=”.vc_custom_1649776193414{margin-top: 40px !important;}”][vc_column width=”1\/6″][\/vc_column][vc_column width=”2\/3″][vc_column_text css_animation=”fadeInLeft” css=””]<\/p>\n

DONAT – IN MUSIC<\/h3>\n

[\/vc_column_text][vc_column_text css_animation=”fadeInLeft” css=””]<\/p>\n

At DONAT<\/strong>, everything is built around a simple idea: the sound says it all<\/strong>.
Our mouthpieces truly take on meaning when they pass into the hands of those who play them<\/strong>\u2014within their real practice, their musicality, and their aesthetic choices.<\/p>\n

<\/p>\n

Because sound reveals everything: the material, the shape, the gesture, the story, and what each musician makes of it.<\/p>\n

<\/p>\n

Donat in Music highlights the musicians<\/strong> who share their playing, their videos, and their excerpts\u2014each with their own way of inhabiting the instrument.
Here, we show how DONAT models come to life in performance, in intention, and in the sensitivity of these musicians.<\/strong><\/p>\n

<\/p>\n

This page reveals the direct relationship between a mouthpiece and the music it makes possible: nothing abstract, only sound, as it appears in the hands of those who shape it.<\/p>\n

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<\/div>

ON TRUMPET<\/h4><\/div><\/div>[vc_empty_space height=”10px”][vc_column_text css=””]Lead \/ Big Band \/ Sc\u00e8nes amplifi\u00e9es<\/p>\n

Ce r\u00e9pertoire n\u00e9cessite une embouchure nerveuse, percutante, capable de porter au-dessus d\u2019une section.<\/p>\n


FRANCK REYNAERT<\/strong><\/a><\/h4>\n

<\/p>\n

pour Big Band Lead<\/em>, joue la 165E.<\/p>\n

RENAUD GENSANE<\/strong><\/a><\/h4>\n

<\/p>\n

joue \u00e0 merveille tous les styles avec un son incroyable avec sa 170C Lourde<\/p>\n

JUANJO<\/a><\/strong><\/h4>\n

<\/p>\n

monte ais\u00e9ment avec sa 164D Custom<\/p>\n

OLIVIER LAISNEY<\/strong><\/a><\/h4>\n

<\/p>\n

dans On Stage<\/em>, adopte \u00e9galement la 165E.<\/p>\n

RAUL GARCIA<\/strong><\/a><\/h4>\n

<\/p>\n

pour Shake ! <\/em>joue une custom.<\/p>\n

MAXIME SABAT<\/strong><\/a><\/h4>\n

<\/p>\n

lead avec sa 163E<\/p>\n

ALEX LLYUSHCHENKO<\/strong><\/a><\/h4>\n

<\/p>\n

styl\u00e9 avec sa 169E<\/p>\n

ROY MARKSON<\/strong><\/a><\/h4>\n

<\/p>\n

joue sa\u00a0 169C3 Lourde\u00a0 avec style<\/p>\n

FRANCK<\/a> <\/strong><\/h4>\n

<\/p>\n

joue la Flow avec le Grand Fatras<\/p>\n

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<\/div>

JAZZ TRUMPET PLAYERS<\/h4><\/div><\/div>[vc_empty_space height=”10px”][vc_column_text css=””]<\/p>\n

Jazz \/ impro<\/p>\n

<\/p>\n

Dans le jazz acoustique et le jazz moderne, plusieurs artistes fa\u00e7onnent leur son avec des mod\u00e8les pens\u00e9s pour la rondeur, la pr\u00e9cision et la r\u00e9gularit\u00e9.<\/p>\n

JULIE VARLET<\/strong><\/a><\/h4>\n

<\/p>\n

joue sa 165E<\/p>\n

ENRICO MATUCHET<\/strong><\/a><\/h4>\n

<\/p>\n

\u00e0 la 165 E aussi, dans Ballads\u2026<\/em><\/p>\n

FABIEN ENGER<\/strong><\/a><\/h4>\n

<\/p>\n

joue la 167 C<\/p>\n

JOEL<\/strong><\/a><\/h4>\n

<\/p>\n

tambi\u00e9n \u00e0 la 167C<\/p>\n

MARIE HARVER<\/strong><\/a><\/h4>\n

<\/p>\n

joue Jazz Licks<\/em> avec la Gunn Fu.<\/p>\n

CAMILLE DEMANGEON<\/strong><\/a><\/h4>\n

<\/p>\n

\u00e0 la Gunn Fu aussi<\/p>\n

NICOLAS KOENIG<\/strong><\/a><\/h4>\n

<\/p>\n

encore \u00e0 la Gunn Fu !<\/p>\n

AWEN ROBBE<\/strong>\u00a0<\/a><\/h4>\n

<\/p>\n

d\u00e9veloppe Characteristic Study\u2026<\/em> avec la 169C3.<\/p>\n

RAY<\/strong><\/a><\/h4>\n

<\/p>\n

\u00a0joue aussi la 169C3 Lourde depuis NYC<\/p>\n

ANTONIN<\/strong><\/a><\/h4>\n

<\/p>\n

\u00e0 la 169 C3 aussi !<\/p>\n

TSIM RAJ<\/strong><\/a><\/h4>\n

<\/p>\n

travaille Bessie\u2019s Blues\u2026<\/em> sur la Touvron.<\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1649776193414{margin-top: 40px !important;}”][vc_column][vc_empty_space height=”5px”][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1765106531877{margin-top: 40px !important;background-color: #FFFFFF !important;}”][vc_column width=”1\/2″][vc_single_image image=”16207″ img_size=”large” css=””][\/vc_column][vc_column width=”1\/2″][vc_column_text css=””]<\/p>\n

TSIM RAJ<\/strong><\/a><\/h4>\n

<\/p>\n

travaille Bessie\u2019s Blues\u2026<\/em> sur la Touvron.<\/p>\n

daoud<\/strong><\/a><\/h4>\n

<\/p>\n

dans Pop Melody<\/em>, utilise son mod\u00e8le daoud\u00a0adapt\u00e9 \u00e0 son esth\u00e9tique contemporaine.<\/p>\n

JOEY<\/strong><\/a><\/h4>\n

<\/p>\n

dans Piano Duets\u2026<\/em>, joue sur une custom.<\/p>\n

MARKO<\/strong><\/a><\/h4>\n

<\/p>\n

joue la 169E<\/p>\n

DAVID<\/strong><\/a><\/h4>\n

\u00e0 la 169 E aussi !<\/p>\n

TH\u00c9O<\/strong><\/a><\/h4>\n

<\/p>\n

joue la 169C plus profonde<\/p>\n

KAI<\/strong><\/a><\/h4>\n

depuis Hong Kong joue moderne avec sa Truffaz<\/p>\n

ELRIC<\/strong><\/a><\/h4>\n

\u00e0 la Doe<\/p>\n

LEO P<\/strong><\/a><\/h4>\n

la Doe aussi ^^<\/p>\n

LIONEL<\/strong><\/a><\/h4>\n

joue la 169CH<\/p>\n

J\u00c9ROME<\/strong><\/a><\/h4>\n

en douceur avec sa 165FL<\/p>\n

ZACHARIE KSYK<\/strong><\/a><\/h4>\n

<\/p>\n

joue au cosmo jazz sa 170C massive<\/p>\n

GILENO<\/strong><\/a><\/h4>\n

<\/p>\n

joue sa Beyourself sur une sacr\u00e9e sc\u00e8ne<\/p>\n

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<\/div>

ON TRUMPET<\/h4><\/div><\/div>[vc_empty_space height=”10px”][vc_column_text css=””]Classique \/ R\u00e9pertoires \u00e9crits<\/p>\n

Les musiciens qui \u00e9voluent dans les contextes classiques recherchent stabilit\u00e9, homog\u00e9n\u00e9it\u00e9 et pr\u00e9cision.<\/p>\n

THIERRY CLAD\u00c8RES<\/strong><\/a><\/h4>\n

<\/p>\n

interpr\u00e8te Passage Lyrique<\/em> sur la 169C3 massive.<\/p>\n

NICOLAS BOERI<\/strong><\/a><\/h4>\n

<\/p>\n

dans Classical Performance<\/em>, joue la 170C.<\/p>\n

BERNHARD WINKLER<\/strong><\/a><\/h4>\n

<\/p>\n

pour Quatuor en 1\u2026<\/em>, utilise la 172C.<\/p>\n

FR\u00c9D\u00c9RIC AUBIN<\/strong><\/a><\/h4>\n

<\/p>\n

dans La Maison Tellier <\/em>joue la 170C Lourde.<\/p>\n

MORRIS<\/strong><\/a><\/h4>\n

<\/p>\n

\u00e0 la Soloist<\/p>\n

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<\/div>

ON FLUGELHORN<\/h4><\/div><\/div>[vc_empty_space height=”10px”][vc_column_text css_animation=”lightspeedIn” css=””]
\nThe flugelhorn players!<\/p>\n

From Shanghai, Feng plays the 170Alpha courte<\/a><\/strong> avec son bugle Wood Inderbinen<\/p>\n

Marc Huynen, playing on a\u00a0custom<\/strong><\/a> Flugelhorn<\/strong>, with Air<\/em>, excerpt from the album Retrouvailles<\/em><\/p>\n

<\/p>\n

Yoann Loustalot<\/strong><\/a>, in an excerpt distinguished as \u201cChoc\u201d by Jazzman<\/em> on the 170 Alpha<\/strong><\/a>
also played by Huug<\/strong><\/a>.<\/p>\n

<\/p>\n

With his 163 Alpha<\/strong><\/a>, Guillaume Corcoba<\/strong><\/a> pays tribute to Chet Baker<\/p>\n

<\/p>\n

St\u00e9phane Lahaye<\/strong><\/a>, on the 168FL Bugle<\/strong><\/a>, offers a mellow<\/em><\/p>\n

<\/p>\n

Jean-Pierre Bernhard<\/strong><\/a> also plays it<\/p>\n

<\/p>\n

Jeremy<\/strong><\/a> plays a beautiful ballad with la Belmondo<\/strong><\/a><\/p>\n

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<\/div>

on PICCOLO<\/h4><\/div><\/div>[vc_empty_space height=”10px”][vc_column_text css=””]Philippe Litzler<\/strong><\/a>, on the 171 D Piccolo<\/strong><\/a>, performs the Mel Broiles Studies<\/em><\/p>\n

With the 165D Piccolo<\/strong><\/a>, Michel Marie<\/strong><\/a>\u00a0approaches Bellini \u2013 Concerto for Oboe<\/em> in an adaptation for piccolo trumpet<\/p>\n

Thierry Dehon<\/strong><\/a>, playing the 167 Piccolo<\/strong><\/a>, performs the Vivaldi Concerto in D major<\/em><\/p>\n

David Mercier<\/strong><\/a>, on the 171 D Piccolo<\/strong><\/a>, shares an excerpt Trumpet & Organ<\/em>[\/vc_column_text][vc_empty_space height=”10px”]

<\/div>

ON CORNET<\/h4><\/div><\/div>[vc_column_text css=””]Hugh Steketee<\/strong><\/a>, playing the 168D Cornet<\/strong><\/a>, pperforms Staccato!<\/em> He also plays the\u00a0cornet deep cup<\/strong><\/a> with his 170<\/strong><\/a><\/p>\n

With the 165TR Cornet<\/strong><\/a>, Jean-Paul Bliek<\/strong><\/a>\u00a0shares an excerpt from Brass Band des Hauts-de-France<\/em>[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1649776193414{margin-top: 40px !important;}”][vc_column][vc_empty_space height=”5px”][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” css=”.vc_custom_1765110509278{margin-top: 40px !important;background-color: #F6F6F6 !important;}”][vc_column width=”1\/2″]

<\/div>

onTROMBONE<\/h4><\/div><\/div>[vc_empty_space height=”10px”][vc_column_text css=””]With the 253 Trombone<\/strong><\/a>, Matthew<\/strong><\/a> propose un extrait de soloing<\/em>\u00a0, <\/em>Alex<\/strong><\/a> plays this same mouthpiece<\/p>\n

Marc<\/a><\/strong> also choose 253<\/a><\/strong> but in large bore[\/vc_column_text][vc_empty_space height=”10px”]

<\/div>

AND ON EUPHONIUM<\/h4><\/div><\/div>[vc_empty_space height=”10px”][vc_column_text css=””]Hugo Verweij<\/strong><\/a>, playing the 260 Euphonium<\/strong><\/a>, perform Dvo\u0159\u00e1k \u2013 Song<\/em>[\/vc_column_text][\/vc_column][vc_column width=”1\/2″][vc_single_image image=”15692″ img_size=”large” css=””][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1649776193414{margin-top: 40px !important;}”][vc_column][vc_empty_space height=”5px”][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1765106531877{margin-top: 40px !important;background-color: #FFFFFF !important;}”][vc_column width=”1\/2″][vc_single_image image=”15852″ img_size=”large” css=””][\/vc_column][vc_column width=”1\/2″]
<\/div>

Do you play a Donat mouthpiece?<\/h4><\/div><\/div>[vc_empty_space height=”15px”][vc_column_text css=””]<\/p>\n

We would be delighted to discover your music and, with your permission, feature it on this page and across our social media channels.
You can send us your video using the form below, or share it directly on Instagram (@donat.mouthpieces) or Facebook (Atelier Donat) by tagging us.<\/p>\n

SEND MY VIDEO<\/strong><\/a><\/h4>\n

 <\/p>\n

Don’t play a Donat mouthpiece yet?<\/p>\n

<\/p>\n

Discover our world and explore our range of mouthpieces. Then join us in music.<\/p>\n

[\/vc_column_text][vc_empty_space height=”10px”][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1649776193414{margin-top: 40px !important;}”][vc_column][vc_empty_space height=”5px”][\/vc_column][\/vc_row][vc_row][vc_column][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row css=”.vc_custom_1649776193414{margin-top: 40px !important;}”][vc_column width=”1\/6″][\/vc_column][vc_column width=”2\/3″][vc_column_text css_animation=”fadeInLeft” css=””] DONAT – IN MUSIC [\/vc_column_text][vc_column_text css_animation=”fadeInLeft” css=””] At DONAT, everything is built around a simple idea: the sound says it all.Our mouthpieces truly take on meaning when they pass into the hands of those who play them\u2014within their real practice, their musicality, and their aesthetic choices. Because…<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-10246","page","type-page","status-publish","hentry","description-off"],"yoast_head":"\nAtelier Donat - Trumpet mouthpiece made in France<\/title>\n<meta name=\"description\" content=\"The mouthpiece is a key part of your instrument, the link between the instrument and the artist. 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